Tag Archives: young woman’s portrait

Painting Portraits with an Audience, and a Ticking Clock!

This is me at the Portrait Paint Off trying to complete a painting in an hour and 45 minutes.  Clearwater Artists Studios, in Concord, host an annual portrait paint off with five selected painters.  The whole event is 3 hours — with wonderful baked goods and baskets of goodies to be raffled off.  For the last two hours, we paint, with an audience of about 150 people.  They were wonderful supportive and didn’t ask too many questions.  Which is a good thing, since I tend to switch off the talking part of my brain once I start painting.  I love the opportunity to paint with other painters.  Gordon James, Barbara Ellis, Isaac Payne and Mark Stephenson were the other featured painters.  It’s such a delight to see how everyone handles the same model in a completely different and wonderful way!
This is an iPhone shot of the final painting.  I started with my Zorn palette, but introduced some other colors because of her dress.  We had another row of painters who could set up behind us, so we had a full house of painters and audience.  

Grateful to Sarah Gay and Clearwater Artists Studios for the opportunity!!  Painting with the clock ticking is a good practice I think!

Share

Painting Theresa – Day 19

Painting Theresa

Thursday are my day to paint portraits from life — and because of that one of my most favorite days!  I paint with three other artist friends and share a model.  Three hour sessions – 20 minutes of posing and 5 minutes of break for three hours.  Today we painted Theresa — one of my favorite models.  She’s great at holding a pose and has a beautiful, regal face.  

I used my Zorn palette again.  I like this limited palette since we arenon a tight time frame.  It gives some good fleshtones, although I waver about incorporating more transparent colors.  So I tend to go back and forth between palette choices.  

Today some of my stress is finally going to be relieved because the health insurance company finally approved some of the tests for my husband.  Yay! So grateful!!  Hopefully these tests will tell us why he’s been in an out of pain everyday for over three months!

Tomorrow I’ll go back to my knife and still lifes or maybe plein air.  But Day 19 is complete!!!

All the best to you and yours!

Share

Painting Bethany – Day 12

Did one of my most favorite things in the whole world today — painted someone from life.  This is a dear artist friend’s daughter – she painted her too!  Bethany just returned from traveling to India to do a month long yoga training.  Before she left, she cut her waist length gorgeous blond hair and donated it to locks of love.  

You can tell she’s had lots of yoga training.  No slumping for this model!  She’s erect and poised the whole time.  Holds a pose perfectly.  

My apologies for the photo.  Since the painting is so wet, it catches lots of glare.  I was forced to photograph it in virtually no light, so it’s very soft.  When It’s dry I can retake the photo.

Day 12 done!  All the best to you and yours!!

Painting Bethany

Share

Sisters!

web_Willa web_DesiWhat a treat it was to paint sisters!  I completed this commission for two sisters, Desi and Willa – at the request of their parents.  They both recently achieved some major milestones in their lives by completing their master’s degrees,  so Tom and Reba (their parents) decided a great way to celebrate was having their portraits painted.  I’m so grateful that I was able to be a part of this!

The first step in the whole process is a discussion of what kind of portrait you would like.  If you look at my paintings, some of them are a bit looser and some are more refined.  Are you looking for a casual or more formal look?  Will it be a head and shoulders; or part, or all of the body?  Loose abstract background or more details? Inside or outside? Do you want your dog in the painting?  You can see there are lots of possibilities.  Once the initial decision about direction has been made, the actual process begins.

My process (for now) has been to ask for 3-4 hours initially with the subject I’ll be painting. I take tons of photos, so that we can find some that seem to suit the person I’m painting.  Then I spend some time doing a head study to record that person’s coloring in paint.  Photographs are not the same as real life.  Ideally, it’s wonderful to have the opportunity to paint the entire portrait from life, but there are few folks who are willing to take the time for that.

At that point, sometimes I will do a small, quick study for the client of the painting concept.  Otherwise, I will begin the actual painting, using a combination of photographs and my study from life.  I have recorded color notes in paint that will help me “translate” the photographs.  Once I feel that the painting is complete, I will arrange for the client to view that painting, either in person or by photographs.  This is an opportunity for the client to make adjustments. There are details that are important to the client that I may not be aware of — so this is an opportunity to make sure I have addressed those.

Portraits become heirlooms that are passed down in families —  reminders of the people in our lives who are the most special to us.  I am grateful for the opportunity to play a part in this process.  There is something special and magical about painting someone.  Hopefully a bit of their “soul” comes through in the process.

 

 

Share

Hanah from Life

Hanah from Life

Hanah from Life

Recently had the opportunity to paint one of my favorite people – Hanah – from life.  I love our little painting group.  We hire a model virtually every week and paint from life.  We paint for three hours – 20 minutes then hopefully a 5 minute break if we don’t get too chatty.  It is probably one of the best things I’ve done for my learning in painting.  Seeing those colors in people’s faces that you only see from real life.  Photos just don’t do it!  And I know I’m prejudiced, but to me there is something magical about capturing someone on canvas.  Someone described it as “capturing their soul”.  Don’t know if I’d go that far, but I still think it’s special.

In addition to the wondrous opportunity to paint from life, there is a wonderful camaraderie between our little group of painters.  We share our latest tricks, gadgets and ideas.  We critique each other’s paintings — always with kind intentions — because we are there to grow and learn.  And sometimes we just can’t see where we’re off.  It’s so helpful to get that feedback.  It seems we all have areas that we are blind to.  For instance, I invariably make everyone’s chins too short.

Sometimes I’ll take these back and complete them with the photo I take.  In Hanah’s case, I have not done anything additional.  Haven’t decided yet whether I will.  Sometimes I like the freshness of the painting, even if everything is not perfect.

The last few sessions, I’ve been experimenting with the Zorn palette: yellow ochre, cadmium red medium and Mars black – and white of course.  I love it!  With this piece of Hanah, I did add a little Ultramarine Blue to get that color in her shirt.  I recently completed a much large painting – 30×40- completely with the Zorn palette — I will show you that soon.

Should any of you be so inclined, please let me know if you’d like to model.  We’re always looking for new faces!  We provide chocolate, coffee and friendly conversation — as well as payment of course!

Thank you Hanah for allowing us to paint you from life!!!  It was an honor and a privilege!

 

Share

Happy New Year!

Harmonica Mark Finalist in 2015 Richeson Portrait/Figure show

Harmonica Mark
Finalist in 2015 Richeson Portrait/Figure show   –  Carolinas Got Art Show at the Elder Gallery

Happy New Year!! I have so many mixed feelings this time of year.  Holidays are fun, but so distracting that I feel I have to completely regroup to get back to some sense of normalcy.  So I’m slowly getting back on track.

I had an amazing 2015.  It was the first year that I really tried to enter some shows and  had great results.  All of this happened in 2015!!!

  •  Finalist in the American Woman Artists National Juried 2015 Show at Bonner David Gallery in Scottsdale, Arizona.
  • Selected as one of 30 artists to participate in the 2015 Piedmont Paint Out in High Point, NC.  Received “Artists’ Choice Award”
  • Finalist in the Richeson75 Figure and Portrait Show 2015
  • 2 Honorable Mentions in the Guild of Charlotte Artists, 2015
  •  Honorable Mention, “Colton’s Choice” award and “People’s Choice” award in the Matthews Art Guild, 2015 – Matthews Alive Festival
  • Finalist and Award of Merit in the 2015 Spring Online Show for the American Women Artists
  • Selected for the Carolina’s Got Art Show at the Elder Gallery, June 2015
Kalvin, Portrait of a Young Man  AWA National Juried Show, Award of Merit

Kalvin, Portrait of a Young Man
AWA National Juried Show, Award of Merit

I love painting people, but up until now I’ve pretty much stuck to portraits.  To make a living at that though I need to really market myself as a portrait painter.  So that is part of my next step I believe.  Also I’d like to take that passion for painting people into some figurative paintings that aren’t so “face specific”.  I’m hoping to do that some with my musician paintings.  So far I’ve pretty much focused on their faces, except for “Harmonica Mark”.  I’m doing studies that are recognizable, but thinking in the bigger paintings that I’ll try to take them to a more abstracted direction.  All musings at this point until I make it happen.

Artists' Choice Award, Piedmont Paint Out

Artists’ Choice Award, Piedmont Paint Out

Also love the balance of my plein air paintings.  So that will be another part of the puzzle. Hoping to do some larger paintings to appeal to some galleries.  It seems most are not as interested in the small 8×10 or 11×14’s that we typically do as plein air painters.

The other big nemesis for me is the marketing part.  If I had my druthers, I’d just paint.  But it’s crucial to get your name out there to reach potential clients and galleries.  So that’s probably the biggest piece of the puzzle for me this year.  Putting together a plan that helps me accomplish that.

oil portrait young black woman

“Lucci” People’s Choice Award at the Matthews Alive Festival

Any ideas, suggestions welcomed!!!  Once again Happy New Year to you all!  I hope that 2016 is a wonderful one for you and yours!!

Share

The Little Voices in My Head

oil portrait young black woman“Lucci” 12×16, Oil on Linen

I am thrilled that this painting was such a successful entry in a recent show.  I entered it in the Matthews Art Guild’s Fall Show, which is part of the Matthews Alive Festival.  Happily it garnered an honorable mention from the judge, “Colton’s Choice” from the town manager of Matthews and “People’s Choice” from the viewers who saw the show.  Of course I love the accolades — but it also brings up some other things that I’ve been ruminating on lately. Hence the title of this blog post “The Little Voices in My Head”.

This whole business of art is just that — a business.  Yes I love it and would do it no matter what, but hopefully it will provide financial support as well.  And in the pursuit of making that happen we have to, like any other business person, try to get the word out about our product.  That product just happens to be the result of sweat, tears, elation, frustration and a piece of our souls.  We are told repeatedly by all the “experts” in marketing to: put it on Facebook, Instagram, Twitter, your website, email, newsletters, etc. etc.  Basically put it out in as many ways as you can.  But it’s weird and strange to do that with a “piece of your soul”.

Everyone is so kind and gracious — and of course I love the compliments.  In a way too much!  It sometimes feels like my self-esteem is tied into it.  You get that “high” from hearing those words.  Which lasts for a short while then you’re looking for your next “fix”.  It’s a weird thing.  Puts a lot of your evaluation of yourself in the hands of your followers — which can be really self defeating.  And then there’s the concern that people will think you’re “bragging”.  I’m embarrassed by all the attention, and yet it’s a piece of the puzzle in moving my career to a bigger level.

Just read an article in Charlotte Magazine called “The Last Tweet” by Matt Crossman.  He deliberately took a break from all the social media for a month.  He is a journalist so he also uses social media to promote his work. To quote him: “…social media has turned every story into a contest entry.   I ‘win’ if my story generates Tweets or retweets or likes or shares or comments on Facebook. I ‘lose’ when social media ignores my story.”

“People with Twitter and Facebook accounts have become the authoritative arbiters of what’s good, and I spend way too much time hoping they will express their pleasure because, I think, that praise will make me happy.  Which it does.  Only it never lasts.  Because it’s never enough.”

Matt’s story rang so true to me.  Been there done that!  Keeping in touch with my own sense of who I am and my self -worth independent of anyone else’s evaluation is a constant struggle! Of course I think this is true no matter what — whether you’re an artist, journalist …whatever!!!  To simply look for your own guidance and what fulfills you is not always an easy path.  Don’t get me wrong — I love my people.  And I love hearing their kind words!  But, it is a catch 22 on an emotional level.

This has a been an amazing year for me.  I deliberately set out to enter as many shows and contests as I could.  And I’ve had great success — which is very affirming as an artist.  And a great resume builder.  Also a bit daunting — what’s next?  Can I continue this level of reward?  And getting the acclaim is one thing — what about the financial payoff.

On and on go the little voices in my head…

Share

Palette Knife Painting

Palette knife painting has become my new obsession.  In my desire to loosen up my style, it seempalette knife portraits a natural choice.  You can only get so detailed with the knife.  It’s frustrating at times — when I’m trying to get some little area done and I desperately want to pick up the brush.  I’ve done a fair amount of knifing during plein air, but recently I decided to try it with portraits. This is from a photo of my beautiful daughter Katie.  It’s interesting.  Not my best painting but interesting enough that now I’ve started a large portrait/figure piece using that technique.  Part of it my desire to “make a painting” not just a picture of someone.  We’ll see how it all pans out.  I definitely haven’t forsaken the brush, but intrigued.

Share

Painting from Life 2

Once a week at least I try to paint from life.  There is nothing quite like it for seeing all the colors that are really inoil portrait young black woman skin or anything else for that matter.  Often I end up refining the painting later from the photo.  If I do it soon enough I can usually remember the colors and values.  I get so caught up in the painting at the time that sometimes I don’t see some of the proportion problems.  Hopefully I catch those when I review it later in the studio.

This beautiful young woman was a wonderful model.  I don’t get to paint African Americans as often as I’d like.  Their skin presents a whole new set of values and colors.  I got to use oranges and ed oxides in a way that I would not normally.  But I would never see some of these were I not painting from life.

Share